Women's History Month Resources: Women's History-Related Print & E-Book Selections

Combining classic and unusual sources, this anthology explores the private voices and public lives of women throughout U.S. history. 

The official publication celebrating Judy Chicago's feminist art masterpiece, The Dinner Party installation at the Brooklyn Museum, and an introduction to outstanding women in history. nbsp; Judy Chicago's The Dinner Party is a defining work of feminist and contemporary art that brought women's history to light on the national stage when it was completed in 1979. Published to coincide with Chicago's 75th birthday and a nationwide series of events and exhibitions, the book features newly commissioned photography and two new essays by Chicago, along with essays by art historian Frances Borzello and historian Jane Gerhard, and a foreword from museum director Arnold Lehman. nbsp; The Dinner Party, a monumental triangular table, and the Heritage Floor on which the table rests, represents 1,038 women in history--39 by unique large ceramic plates and runners with another 999 names inscribed on the floor's ceramic tiles. It has been seen by more than a million visitors during its international exhibition tour, and has been a principal destination at the Brooklyn Museum since its permanent housing in 2007. A perfect companion to a revolutionary artwork, the book is a must-have for both long-standing fans of Judy Chicago's oeuvre and young artists and women looking for reflections of themselves in the history of Western Civilization.

Records of modern female boxing date back to the early eighteenth century in London, and in the 1904 Olympics an exhibition bout between women was held. Yet it was not until the 2012 Olympics more than 100 years later that women s boxing was officially added to the Games. Throughout boxing s history, women have fought in and out of the ring to gain respect in a sport traditionally considered for men alone. The stories of these women are told for the first time in this comprehensive work dedicated to women s boxing. A History of Women s Boxing traces the sport back to the 1700s, through the 2012 Olympic Games, and up to the present. Inside-the-ring action is brought to life through photographs, newspaper clippings, and anecdotes, as are the stories of the women who played important roles outside the ring, from spectators and judges to managers and trainers. This book includes extensive profiles of the sport s pioneers, including Barbara Buttrick whose plucky carnival shows launched her professional boxing career in the 1950s; sixteen-year-old Dallas Malloy who single-handedly overturned the strictures against female amateur boxing in 1993; the famous boxing daughters Laila Ali and Jacqui Frazier-Lyde; and teenager Claressa Shields, the first American woman to win a boxing gold medal at the Olympics. Rich in detail and exhaustively researched, this book illuminates the struggles, obstacles, and successes of the women who fought and continue to fight for respect in their sport. A History of Women s Boxing is a must-read for boxing fans, sports historians, and for those interested in the history of women in sports."

Now in its updated second edition, Full Frontal Feminism is a book that continues to embody the forward-looking messages that author Jessica Valenti propagated as founder of the popular website, Feministing.com. Full Frontal Feminism is a smart and relatable guide to the issues that matter to today’s young women. This edition includes a new foreword by Valenti, reflecting upon what’s happened in the seven years since Full Frontal Feminism was originally published. With new openers from Valenti in every chapter, the book covers a range of topics, including pop culture, health, reproductive rights, violence, education, relationships, and more. Chapters include: You’re a Hardcore Feminist. I Swear. Feminists Do It Better (and Other Sex Tips) Pop Culture Gone Wild The Blame (and Shame) Game If These Uterine Walls Could Talk Material World My Big Fat Unnecessary Wedding and Other Dating Diseases "Real” Women Have Babies I Promise I Won’t Say "Herstory” Boys Do Cry Beauty Cult Sex and the City Voters, My Ass A Quick Academic Aside Get to It Since its original publication, Full Frontal Feminism has reassured readers--yeah, you're feminists, and that's actually pretty cool.

Thoroughly updated and expanded, the second edition of A History of U.S. Feminisms is an introductory text that will be used as supplementary material for first-year women’s studies students or as a brush-up text for more advanced students. Covering the first, second, and third waves of feminism, A History of U.S. Feminisms will provide historical context of all the major events and figures from the late nineteenth century through today. The chapters cover: first-wave feminism, a period of feminist activity during the nineteenth and early twentieth centuries which focused primarily on gaining women's suffra≥ second-wave feminism, which started in the ’60s and lasted through the ’80s and emphasized the connection between the personal and the political; and third-wave feminism, which started in the early ’90s and is best exemplified by its focus on diversity and intersectionality, queer theory, and sex-positivity.

In this lavishly illustrated book, author Carol Dyhouse surveys the world of glamour from early Hollywood right up to Madonna. She deftly unpacks the ever-changing nature of the word, its relationship to femininity and fashion, and its place in twentieth century social history. With wit and insight, Dyhouse conducts a dazzling tour of the history and meaning of costume, cosmetics, perfume, and fur; and disentangles some of the arguments surrounding femininity, appearance and power; and directly addresses feminist concerns. As Dyhouse shows with style and flair, glamour as an expression of desire and entitlement in women can’t simply be dismissed as an oppressive, or subjective male fantasy, but carries celebratory and liberating meanings for women.

Reading Feminist Theory: From Modernity to Postmodernity interweaves classical and contemporary writings from the social sciences and the humanities to represent feminist thought from the late eighteenth century to the present. Editors Susan Archer Mann and Ashly Suzanne Patterson pay close attention to the multiplicity and diversity of feminist voices, visions, and vantage points by race, class, gender, sexuality, and global location. Along with more conventional forms of theorizing, this anthology points to multiple sites of theory production--both inside and outside of the academy--and includes personal narratives, poems, short stories, zines, and even music lyrics. Offering a truly global perspective, the book devotes three chapters and more than thirty readings to the topics of colonialism, imperialism and globalization. It also provides extensive coverage of third-wave feminism, poststructuralism, queer theory, postcolonial theory, and transnational feminisms.

This book is an edited collection of essays by fourteen multicultural women (including a few Anglo women) who are doing work that crosses the boundaries of ecological and social healing. The women are prominent academics, writers and leaders spanning Native American, Indigenous, Asian, African, Latina, Jewish and Multiracial backgrounds. The contributors express a myriad of ways that the relationship between the ecological and social have brought new understanding to their experiences and work in the world.  Moreover by working with these edges of awareness, they are identifying new forms of teaching, leading, healing and positive change. Ecological and Social Healingis rooted in these ideas and speaks to an "edge awareness or consciousness." In essence this speaks to the power of integrating multiple and often conflicting views and the transformations that result.　 As women working across the boundaries of the ecological and social, we have powerful experiences that are creating new forms of healing. This book is rooted in academic theory as well as personal and professional experience, and highlights emerging models and insights. It will appeal to those working, teaching and learning in the fields of social justice, environmental issues, women's studies, spirituality, transformative/environmental/sustainability leadership, and interdisciplinary/intersectionality studies.

Inspired by author Tori Telfer's Jezebel column "Lady Killers," this thrilling and entertaining compendium investigates female serial killers and their crimes through the ages. When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we're comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, "There are no female serial killers." Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers fourteen gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzs#65533;bet B#65533;thory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts in cunning, cruelty, and appetite for destruction. Each chapter explores the crimes and history of a different subject, and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clich#65533;s that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone, Lady Killers dismisses easy explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch), delving into the complex reality of female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a bloodcurdling, insightful, and irresistible journey into the heart of darkness.    

Long overlooked in histories of finance, women played an essential role in areas such as banking and the stock market during the late nineteenth and early twentieth centuries. Yet their presence sparked ongoing controversy. Hetty Green's golden touch brought her millions, but she outraged critics with her rejection of domesticity. Progressives like Victoria Woodhull, meanwhile, saw financial acumen as more important for women than the vote. George Robb's pioneering study sheds a light on the financial methods, accomplishments, and careers of three generations of women. Plumbing sources from stock brokers' ledgers to media coverage, Robb reveals the many ways women invested their capital while exploring their differing sources of information, approaches to finance, interactions with markets, and levels of expertise. He also rediscovers the forgotten women bankers, brokers, and speculators who blazed new trails--and sparked public outcries over women's unsuitability for the predatory rough-and-tumble of market capitalism. Entertaining and vivid with details, Ladies of the Ticker sheds light on the trailblazers who transformed Wall Street into a place for women's work.

This is the story of how America's first women soldiers helped win World War I, earned the vote, and fought the U.S. Army. In 1918, the U.S. Army Signal Corps sent 223 women to France. They were masters of the latest technology: the telephone switchboard. General John Pershing, commander of the American Expeditionary Forces, demanded female "wire experts" when he discovered that inexperienced doughboys were unable to keep him connected with troops under fire. Without communications for even an hour, the army would collapse. While suffragettes picketed the White House and President Woodrow Wilson struggled to persuade a segregationist Congress to give women of all races the vote, these competent and courageous young women swore the Army oath. Elizabeth Cobbs reveals the challenges they faced in a war zone where male soldiers welcomed, resented, wooed, mocked, saluted, and ultimately celebrated them. They received a baptism by fire when German troops pounded Paris with heavy artillery. Some followed "Black Jack" Pershing to battlefields where they served through shelling and bombardment. Grace Banker, their 25-year-old leader, won the Distinguished Service Medal. The army discharged the last Hello Girls in 1920, the same year Congress ratified the Nineteenth Amendment granting the ballot. When the operators sailed home, the army unexpectedly dismissed them without veterans' benefits. They began a sixty-year battle that a handful of survivors carried to triumph in 1979. With the help of the National Organization for Women, Senator Barry Goldwater, and a crusading Seattle attorney, they triumphed over the U.S. Army.

To what extent is Simone de Beauvoir's study The Second Sex still relevant? From her work it emerges that patriarchy is a many-headed monster. Over the past decades, various heads of this monster have been slayed: important breakthroughs have been achieved by and for women in law, politics, and economics. Today, however, we witness movements in the opposite direction, such as a masculinist political revival in different parts of the world, the spread of the neoliberal myth of the Super Woman, the rise of transnational networks of trafficking in women and children, and a new international "Jihadism." This suggests that patriarchy is indeed a Hydra: a multi-headed monster that grows several new heads every time one head is cut off. Since different--often hybrid--heads of patriarchy dominate in different settings, feminism requires a variety of strategies. Women's movements all over the world today are critically creating new models of self and society in their own contexts. Drawing on notions of Beauvoir, as well as Michel Foucault, this book outlines a "feminism in a new key," which consists of women's various freedom practices, each hunting the Hydra in their own key--but with mutual support.

From the first European encounters with Native American women to today's crisis of sexual assault, The Oxford Handbook of American Women's and Gender History boldly interprets the diverse history of women and how ideas about gender shaped their access to political and cultural power in NorthAmerica.Over twenty-nine chapters, this handbook illustrates how women's and gender history can shape how we view the past, looking at how gender influenced people's lives as they participated in migration, colonialism, trade, warfare, artistic production, and community building. Theoretically cutting edge,each chapter is alive with colorful historical characters, from young Chicanas transforming urban culture, to free women of color forging abolitionist doctrines, Asian migrant women defending the legitimacy of their marriages, and transwomen fleeing incarceration. Together, their lives constitutethe history of a continent.Leading scholars across multiple generations demonstrate the power of innovative research to excavate a history hidden in plain sight. Scrutinizing silences in the historical record, from the inattention to enslaved women's opinions to the suppression of Indian women's involvement in borderdiplomacy, the authors challenge the nature of historical evidence and remap what counts in our interpretation of the past.Together and separately, these essays offer readers a deep understanding of the variety and centrality of women's lives to all dimensions of the American past, even as they show that the boundaries of "women," "American," and "history" have shifted across the centuries.

Award-winning women scholars from nontraditional backgrounds have often negotiated an academic track that leads through figurative--and sometimes literal--minefields. Their life stories offer inspiration, but also describe heartrending struggles and daunting obstacles. Reshaping Women's History presents autobiographical essays by eighteen accomplished scholar-activists who persevered through poverty or abuse, medical malpractice or family disownment, civil war or genocide. As they illuminate their own unique circumstances, the authors also address issues all-too-familiar to women in the academy: financial instability, the need for mentors, explaining gaps in resumes caused by outside events, and coping with gendered family demands, biases, and expectations. Eye-opening and candid, Reshaping Women's History shows how adversity, and the triumph over it, enriches scholarship and spurs extraordinary efforts to affect social change. Contributors: Frances L. Buss, Nupur Chaudhuri, Lisa DiCaprio, Julie R. Enszer, Catherine Fosl, Midori Green, La Shonda Mims, Stephanie Moore, Grey Osterud, Barbara Ransby, Linda Reese, Annette Rodriguez, Linda Rupert, Kathleen Sheldon, Donna Sinclair, Rickie Solinger, Pamela Stewart, Waaseyaa'sin Christine Sy, and Ann Marie Wilson.

Uncovering the psychological and sociological reasons for the gender gap in American politics, this fascinating volume explores how such factors influence women and lead to their political beliefs and behaviors. * Provides readers with an in-depth explanation for the gender gap in American politics while also addressing key differences between women voters * Explores such intriguing topics as whether women prefer female or male candidates * Utilizes original, empirical research and theory on group identification to explain specific political beliefs and behaviors * Couples academic theory with clear, accessible examples and explanations * Draws from numerous disciplines, including political science, communication studies, sociology, and psychology * Offers advice for candidates looking to engage and persuade women

Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.